PreSonusStudio 192 Mobile Audio Interface
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E-mail: musicarmsproject@gmail.com
Description
PreSonusStudio 192 Mobile
Built to create in the studio or on the go.
The PreSonus® Studio 192 Mobile USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a compact desktop design. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 Mobile was built for you to create.
An integrated solution.The Studio 192 Mobile audio interface provides an integrated, portable, hardware and software solution for recording in personal and professional studios wherever they may be. Switch between any two mixes using the Cue function and the onboard headphone amp. Software-controlled Dim and Mono options let you take control of your main mix. Use the six balanced outputs for monitor mixing or speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 Mobile fits into any recording and production environment.
Superior sound.
Connect a Studio 192 Mobile audio interface, and you’ll instantly hear details and an open high end you expect from a professional studio front end. The Studio 192 Mobile operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. Two recallable XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.
The Studio One in Studio 192 Mobile.
With the Studio 192 Mobile, your audio interface is an integrated extension of your recording environment. Launch Studio One®, and you’ll find full preamp control and monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad® or Android™ tablet.
Remote control with UC Surface, too
The Studio 192 Mobile’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.
Great signal processors are a PreSonus tradition.
Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 Mobile audio interface includes Studio One Fat Channel plug-in processing on every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.
Expandable when you need more I/O.
The Studio 192 Mobile audio interace has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally.
Get your hands on a Studio 192 Mobile.
The Studio 192 Mobile gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, Fat Channel DSP effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other. Check it out at your favorite PreSonus dealer.
Specification
Specification
Microphone Preamp |
|
|---|---|
| Type | XLR Female (via Combo), Balanced Remote |
| Maximum Input level (min. gain, 1 kHz@0.5% THD+N) | +12 dBu, ±0.5 dB |
| Gain Control Range | 60 dB, ±1 dB |
| Frequency Response (A-D) | 10 Hz to 40 kHz, ±0.2 dB |
| Dynamic Range (min. gain, a-wtd) | > 110 dB |
| Dynamic Range (mid. Gain, unwtd) | > 105 dB |
| THD+N (min. gain, a-wtd) | < 0.005% |
| Input Impedance | 1.6 kΩ |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd) | < 128 dBu |
| Common Mode Rejection Ratio (1 kHz, +55dB gain) | > 55 dB |
| Phantom Power | +48V, ±3V, > 8mA per channel |
Instrument Inputs |
|
|---|---|
| Type | ¼” TS Female (via Combo), Unbalanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +16 dBu ±0.5 dB |
| Gain Control Range | 60 dB, ±1 dB |
| Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (min. gain, a-wtd) | > 110 dB dB |
| Dynamic Range (mid. Gain, unwtd) | > 105 dB |
| THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
| THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
| Input Impedance | > 1 MΩ |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Line Inputs |
|
|---|---|
| Type | ¼” TRS Female (via Combo), Balanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | + 18 dBu, ±0.5 dB |
| Frequency Response (A-D) | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (min. gain, a-wtd) | > 114 dB |
| Dynamic Range (mid. gain, unwtd) | > 105 dB |
| THD+N (1 kHz, -1 dBFS, a-wtd) | < 0.005% |
| Input Impedance | 10 kΩ |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Main and Line Outputs |
|
|---|---|
| Type (Line Outputs) | ¼” TRS Female, Impedance Balanced |
| Type (Main Outputs) | ¼” TRS Female, Impedance Balanced |
| Maximum Output Level | +18 dBu, ±0.5 dB |
| Frequency Response | 20 Hz to 20 kHz, ±0.2 dB |
| Dynamic Range (a-wtd) | > 112 dB |
| THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
| Output Impedance | 51Ω |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
Headphone Outputs |
|
|---|---|
| Type | ¼” TRS Female, Stereo, Unbalanced |
| Maximum Output Level | 150 mW/channel @ 60Ω |
| Frequency Response | 20 Hz to 20 kHz, ±0.3 dB |
| Dynamic Range (a-wtd) | > 103 dB |
| THD+N (1 kHz, -1 dBFS, un-wtd) | < 0.005% |
| Crosstalk (1 kHz, channel-to-channel) | < -80 dB |
| Impedance Working Range | 16Ω to 600Ω |
Signal Level LEDs |
|
|---|---|
| Signal 1 | -50 dBFS |
| Signal 2 | -30 dBFS |
| Signal 3 | -20 dBFS |
| Signal 4 | -10 dBFS |
| Signal 5 | -6 dBFS |
| Signal 6 | -4 dBFS |
| Signal 7 | -2 dBFS |
| Clip | -0.5 dBFS |
Digital Audio |
|
|---|---|
| Host Interface | USB 3.0 (backwards compatible to USB 2.0) |
| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| Bit Depth | 24 bits |
| Internally Supported Sample Rates | 44.1, 48, 88.2, 96, 176.4, 192 kHz |
| ADAT Optical I/O | ADAT/SMUX II formats supported [16×16 (44.1/48 kHz), 8×8 (88.2/96 kHz)] |
| S/PDIF I/O | RCA female connections, supported up to 96 kHz |
| Word Clock I/O | BNC connector, 4.5 Vpp @75Ω load |
Clock |
|
|---|---|
| Jitter | <50 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in => 1 ps out) |
Power |
|
|---|---|
| External Power Adapter | +12 VDC, 3.0A, center positive |
| Connector Type | Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length |
Physical |
|
|---|---|
| Dimensions | |
| Height | 1.75” (44 mm) |
| Depth | 7” (178 mm) |
| Width | 12.5” (317 mm) |
| Weight | 5 lb. (2.3 kg) |
